through power plant smokestacks billowing thick huge smoke haze of the sky

through power plant smokestacks billowing thick huge smoke haze of the sky, the gray streetsof mud rotten like a river, the noise emission sound like thunder, the night sky and theshade in whom tremor grew up I would like to avoid is this world!artists began to avoid thepandemonium of the urban environment, he looked back through continuous Gui Shan Yunnan thousands of miles away to enjoy the Chongqing, the corresponding face harsh city life, hometown Guishan, red hills, lush tree-lined Xishuangbanna, has been my inspiration and Oxygen. The most direct relationship between the living environment in place again and againforced him to realize the illusory and unreal dreams. When he was the winter of 1985 in Beijing in gray paint, the paint can also have factories and industrial pipe work .1985year,I think the reality is most people do not need fully to note that people living in reality can never be satisfied, because there is a chance, waste of life, for this miserablereality, we not only deny it, the other no choice.years) only a very small shelter.industrial smoke into a new landscape elements. not as long or short in winter, Ye Yongqingvisited one after another to stimulate his thinking and his impact on the exhibition:RobertRauschenberg's large-scale exhibition and to my shock different. Although it was not like other I have seen the Ya, Keerweier were exhibitions of classical and modern doctrine that the plot of the self-worship has stood amazed people, tasting appreciation of the details,but so that the first time I felt strongly that a direct cut into the surroundingcontemporary art, life force.